Learn to receive help and guidance from your Angels with these 7 simple steps.
The room you are in is filled with Angels!
The next room you go to will be filled with Angels and Angels will be at your side with every step you take today. The Angels are with us and are eager to help us.
How do I know that? That's my specialty - I am an author, workshop leader and Ordained Minister whose specialty is Angels. For the past 10 years I have been helping people in private sessions and in workshops to connect more deeply with their Angels for help and assistance.
Angels are truly universal. The Pew Foundation reported that 72% of Americans believe in Angels. This is a much higher percentage than Americans who believe in any world religion, because Angels are fundamental to most of the world's major religions. We find them in Christianity, Islam, Hinduism, Buddhism, Judaism, Mormonism and many other spiritual traditions.
St. Augustine, an authority on Angels, said, "Make friends with Angels." He recommended that we make personal relationships with Angels and that we let our relationships with them deepen - much as we would with any important, intimate relationship.
Asking an Angel for help is one of our most powerful spiritual practices. We can ask the Angels for immediate help at any time and in any place. Here are some techniques that will help you:
1) Ask for help - Angels offer us help 24/7. The more receptive we are, the more help they can give us. If you diminish your receptivity you limit the Angels ability to help you. Create your own invocations, or prayers, that specifically call for the help you need. Realize that when you call upon an Angel, what really happens is that you open yourself into greater receptivity to their assistance. (See the Angel Messages at http://www.askanangel.org/ for examples of invocations.)
When asking for help, it's important to realize yourself as fully worthy of Angelic assistance. Angels work with everyone regardless of personal histories and beliefs. Angels are infinite and omnipresent - your request does not diminish them in anyway nor does it affect their ability to help the rest of us at the same time. They exist beyond our experience of time and space and respond to everyone with complete unconditional love.
2) Connect with your inner divine child as you call upon the Angels and ask for help. Your inner divine child is whole, innocent and true and recognizes Angels as trustworthy gifts of Creator. This will help create openness, receptivity, excitement, eagerness and wonder as you prepare to receive the gift your Angels have prepared for you.
3) Hand everything over to the Angels when you ask for their help: every issue, problem, worry and fear as well as every good intention and positive outcome you imagine as the result of your request. Release all expectations of how your request will be answered.
4) Express Appreciation and Gratitude - Find and express genuine appreciation and gratitude for things exactly as they are. If you are struggling with this, ask the Angels to help you to find the love that is present in whatever difficulty you are facing. Have patience with this and let go of any expectation of how this love may be revealed to you.
5) Know that it is done - Every request is answered and help is always given. If you fear that your request will not be answered, then also ask for help in understanding. Trust that you will see the love in every answered prayer. You are known completely and loved unconditionally by the Angels and nothing that will serve you is ever withheld from you.
6) Act quickly on the guidance you receive. Accept the opportunity and act upon it immediately. Angelic help is infinite and unlimited - you can not use it up or run out of it. You cannot ask for "too much" and the Angels are joyously happy to give to you without limit. The faster you act, the faster you receive more assistance!
7) Celebrate yourself exactly as you are in the moment. Leave any critical judgments or negative feelings about yourself, your life, or others in the hands of the Angels for healing. Even if it is just for a few moments, let go of everything that is not of love for yourself and everything around you. In this moment of surrender much more can done for you by the Angels than you can accomplish on your own. Thank yourself and the Angels for deepening the relationship between you.
Thursday, 30 June 2011
Wednesday, 29 June 2011
35 Weird Facts You Never Heard of
Here are some weird facts for you
1. Rubber bands last longer when refrigerated.
2. Peanuts are one of the ingredients of dynamite.
3. There are 293 ways to make change for a dollar.
4. The average person's left hand does 56% of the typing.
5. A shark is the only fish that can blink with both eyes.
6. There are more chickens than people in the world.
7. Two-thirds of the world's eggplant is grown in New Jersey.
8. The longest one-syllable word in the English language is "screeched."
9. On a Canadian two dollar bill, the flag flying over the Parliament building is an American flag.
10. All of the clocks in the movie "Pulp Fiction" are stuck on 4:20.
11. No word in the English language rhymes with month, orange, silver, or purple.
12. "Dreamt" is the only English word that ends in the letters "mt".
13. All 50 States are listed across the top of the Lincoln Memorial on the back of the $5 bill.
14. Almonds are a member of the peach family.
15. Winston Churchill was born in a ladies' room during a dance.
16. Maine is the only State whose name is just one syllable.
17. There are only four words in the English language which end in "dous": tremendous, horrendous, stupendous, and hazardous.
18. The characters "Bert" and "Ernie" on Sesame Street were named after "Bert the cop" and "Ernie the taxi driver" in Frank Capra's "It's a Wonderful Life."
19. A cat has 32 muscles in each ear.
20. An ostrich's eye is bigger than its brain.
21. Tigers have striped skin, not just striped fur.
22. In most advertisements, the time displayed on a watch is 10:10.
23. Al Capone's business card said he was a used furniture dealer.
24. Los Angeles' full name is "El Pueblo de Nuestra Senora la Reina de los Angeles de Porciuncula."
25. A dragonfly has a life span of 24 hours.
26. A goldfish has a memory span of three seconds.
27. A dime has 118 ridges around the edge.
28. It's impossible to sneeze with your eyes open.
29. The giant squid has the largest eyes in the world.
30. In England, the Speaker of the House is not allowed to speak.
31. The microwave was invented after a researcher walked by a radar tube and a chocolate bar melted in his pocket.
32. Mr. Rogers is an ordained minister.
33. The average person falls asleep in seven minutes.
34. There are 336 dimples on a regulation golf ball.
35. "Stewardesses" is the longest word that is typed with only the left hand.
1. Rubber bands last longer when refrigerated.
2. Peanuts are one of the ingredients of dynamite.
3. There are 293 ways to make change for a dollar.
4. The average person's left hand does 56% of the typing.
5. A shark is the only fish that can blink with both eyes.
6. There are more chickens than people in the world.
7. Two-thirds of the world's eggplant is grown in New Jersey.
8. The longest one-syllable word in the English language is "screeched."
9. On a Canadian two dollar bill, the flag flying over the Parliament building is an American flag.
10. All of the clocks in the movie "Pulp Fiction" are stuck on 4:20.
11. No word in the English language rhymes with month, orange, silver, or purple.
12. "Dreamt" is the only English word that ends in the letters "mt".
13. All 50 States are listed across the top of the Lincoln Memorial on the back of the $5 bill.
14. Almonds are a member of the peach family.
15. Winston Churchill was born in a ladies' room during a dance.
16. Maine is the only State whose name is just one syllable.
17. There are only four words in the English language which end in "dous": tremendous, horrendous, stupendous, and hazardous.
18. The characters "Bert" and "Ernie" on Sesame Street were named after "Bert the cop" and "Ernie the taxi driver" in Frank Capra's "It's a Wonderful Life."
19. A cat has 32 muscles in each ear.
20. An ostrich's eye is bigger than its brain.
21. Tigers have striped skin, not just striped fur.
22. In most advertisements, the time displayed on a watch is 10:10.
23. Al Capone's business card said he was a used furniture dealer.
24. Los Angeles' full name is "El Pueblo de Nuestra Senora la Reina de los Angeles de Porciuncula."
25. A dragonfly has a life span of 24 hours.
26. A goldfish has a memory span of three seconds.
27. A dime has 118 ridges around the edge.
28. It's impossible to sneeze with your eyes open.
29. The giant squid has the largest eyes in the world.
30. In England, the Speaker of the House is not allowed to speak.
31. The microwave was invented after a researcher walked by a radar tube and a chocolate bar melted in his pocket.
32. Mr. Rogers is an ordained minister.
33. The average person falls asleep in seven minutes.
34. There are 336 dimples on a regulation golf ball.
35. "Stewardesses" is the longest word that is typed with only the left hand.
Tuesday, 28 June 2011
70s TV Show CHiPs Trivia
This article gives you some of the obscure facts about CHiPs which you may not have known.
The 70s TV show CHiPs was shot in the late 70s and early 80s which could be considered as a very controversial time in the world, this series was no exception to that. There were always so many back stories with the cast and the crew and conflicts and fights that most fans never even knew about, and if they did, it was not until well after the show was off the air. Although the 70s TV show CHiPs was only on the network for six seasons, there were many interesting and surprising things about it. The top five CHiPs TV show trivia facts are:
1. Rick Rosner, the creator of the show, worked for the Los Angeles County Sheriffs Office as a reserve deputy before creating the show. One shift, he was out on a coffee break in the mid 70s and saw two young California Highway Patrol officers on motorcycles which is what gave him the idea for the show.
2. During the time period when original episodes of CHiPs were still being broadcast, to avoid any confusion, they referred to the syndication episodes as CHiPs Patrol. Fans of the show started to mock this concept immediately because of its redundancy; the show then literally meant California Highway Patrol Patrol. When the series was officially off the air, they went back to the original name for the episodes being played in syndication.
3. Erik Estrada and Larry Wilcox only drew their firearms in CHiPs 99, but never in the original series.
4. Seven Mary Three is a rock band, but even more worthy of noting is their name. They chose their band name based on the radio call sign that the character Jon Baker used in the show.
5. If you were an avid fan then you most likely noticed that Jon Bakers service in Vietnam was occasionally referenced in the show. This made his character one of the earliest and most positive portrayals of a veteran from the Vietnam War. The real Larry Wilcox was actually in Vietnam for a period of 13 months serving as a Marine artilleryman.
The 70s TV show CHiPs is one of the most intriguing and interesting series behind the scenes and these are only a few glimpses into what really went on to make the show such a success. The fact that fans remain interested in the ins and outs of what made the show such a hit truly tells us how timeless it was and still is.
The 70s TV show CHiPs was shot in the late 70s and early 80s which could be considered as a very controversial time in the world, this series was no exception to that. There were always so many back stories with the cast and the crew and conflicts and fights that most fans never even knew about, and if they did, it was not until well after the show was off the air. Although the 70s TV show CHiPs was only on the network for six seasons, there were many interesting and surprising things about it. The top five CHiPs TV show trivia facts are:
1. Rick Rosner, the creator of the show, worked for the Los Angeles County Sheriffs Office as a reserve deputy before creating the show. One shift, he was out on a coffee break in the mid 70s and saw two young California Highway Patrol officers on motorcycles which is what gave him the idea for the show.
2. During the time period when original episodes of CHiPs were still being broadcast, to avoid any confusion, they referred to the syndication episodes as CHiPs Patrol. Fans of the show started to mock this concept immediately because of its redundancy; the show then literally meant California Highway Patrol Patrol. When the series was officially off the air, they went back to the original name for the episodes being played in syndication.
3. Erik Estrada and Larry Wilcox only drew their firearms in CHiPs 99, but never in the original series.
4. Seven Mary Three is a rock band, but even more worthy of noting is their name. They chose their band name based on the radio call sign that the character Jon Baker used in the show.
5. If you were an avid fan then you most likely noticed that Jon Bakers service in Vietnam was occasionally referenced in the show. This made his character one of the earliest and most positive portrayals of a veteran from the Vietnam War. The real Larry Wilcox was actually in Vietnam for a period of 13 months serving as a Marine artilleryman.
The 70s TV show CHiPs is one of the most intriguing and interesting series behind the scenes and these are only a few glimpses into what really went on to make the show such a success. The fact that fans remain interested in the ins and outs of what made the show such a hit truly tells us how timeless it was and still is.
Monday, 27 June 2011
7 Drawing Tips for Beginners
A child's first scribbling is something which it tries to express if you give a pencil in his hand. Drawing is relatively very simple and an easy skill and is something with which you can have great fun. It is also relatively not a very expensive hobby and can start with paper and a pencil. It can go on till acquiring costly pen and tablets - a computer hardware through which you can draw on your computer. It is very costly; however the precision for perfection is very high.
A child's first scribbling is something which it tries to express if you give a pencil in his hand. Drawing is relatively very simple and an easy skill and is something with which you can have great fun. It is also relatively not a very expensive hobby and can start with paper and a pencil. It can go on till acquiring costly pen and tablets - a computer hardware through which you can draw on your computer. It is very costly; however the precision for perfection is very high.
Unlike earlier days, getting information on drawing and sketching is very easy and inexpensive. You can search information on Google and get various sites which teach drawing. Also, nowadays this art form is liked by many youngsters. Like all other art forms, with constant and systematic practice one can become a great artist.
Listed below are few drawing tips which can help anyone improve their skill and become an artist. Reading and practicing these in your daily routine will improve your skill.
1. If you are drawing and you are right handed person, ensure that the light is from your left side. This will prevent your hand shadow falling on your paper.
2. First step when you practice drawing - you should practice drawing line, straight line, curved line, scribbled lines, and your hand should obey the command of your thoughts and visions. You should control your hand and you should be able to bring out what you want.
3. You should further develop drawing circles, oval shapes, crossed lines and bold and thick lines. Just like how a baby develops from crawling stage to walking stage, your art should also develop step by step.
4. These lines and curves are like pillars to a building. The foundation should be strong enough to have a good building; similarly these initial small lines and curves will go a long way in your career. You should also start controlling the stress on your pencil. You should be able to bring the correct darkness and thickness in the lines what you draw.
5. Initially you will not be able to draw a circle or an oval shape correctly, nevertheless don't get discouraged. You should practice and practice until you get perfection. You should also keep all your drawings carefully from the start to know how you are improving. You could also date your sketches and preserve it for the future.
6. You should concentrate in the area where you feel you are weak. If you are not able to shade properly then learn more to do that. You can try out your own style of shading. Build your own individuality, never copy from another artist.
7. Last but not the least, use good quality materials. 4B and 6B pencils and good chart paper or note book with good quality paper should be sufficient to start with. Quality definitely matters hence never compromise on quality.
If you are a person who is interested in learning to draw you will be interested to check these Free Drawing Tutorials and also can search for tutorials from drawing search engine.
http://freeartstutor.com/
A child's first scribbling is something which it tries to express if you give a pencil in his hand. Drawing is relatively very simple and an easy skill and is something with which you can have great fun. It is also relatively not a very expensive hobby and can start with paper and a pencil. It can go on till acquiring costly pen and tablets - a computer hardware through which you can draw on your computer. It is very costly; however the precision for perfection is very high.
Unlike earlier days, getting information on drawing and sketching is very easy and inexpensive. You can search information on Google and get various sites which teach drawing. Also, nowadays this art form is liked by many youngsters. Like all other art forms, with constant and systematic practice one can become a great artist.
Listed below are few drawing tips which can help anyone improve their skill and become an artist. Reading and practicing these in your daily routine will improve your skill.
1. If you are drawing and you are right handed person, ensure that the light is from your left side. This will prevent your hand shadow falling on your paper.
2. First step when you practice drawing - you should practice drawing line, straight line, curved line, scribbled lines, and your hand should obey the command of your thoughts and visions. You should control your hand and you should be able to bring out what you want.
3. You should further develop drawing circles, oval shapes, crossed lines and bold and thick lines. Just like how a baby develops from crawling stage to walking stage, your art should also develop step by step.
4. These lines and curves are like pillars to a building. The foundation should be strong enough to have a good building; similarly these initial small lines and curves will go a long way in your career. You should also start controlling the stress on your pencil. You should be able to bring the correct darkness and thickness in the lines what you draw.
5. Initially you will not be able to draw a circle or an oval shape correctly, nevertheless don't get discouraged. You should practice and practice until you get perfection. You should also keep all your drawings carefully from the start to know how you are improving. You could also date your sketches and preserve it for the future.
6. You should concentrate in the area where you feel you are weak. If you are not able to shade properly then learn more to do that. You can try out your own style of shading. Build your own individuality, never copy from another artist.
7. Last but not the least, use good quality materials. 4B and 6B pencils and good chart paper or note book with good quality paper should be sufficient to start with. Quality definitely matters hence never compromise on quality.
If you are a person who is interested in learning to draw you will be interested to check these Free Drawing Tutorials and also can search for tutorials from drawing search engine.
http://freeartstutor.com/
Sunday, 26 June 2011
5 Tips On Improving Your Tricks
A magician is an artist. Every trick is a masterpiece and every trick requires a lot of patience and time to learn. Here are some tips to help you improve your tricks.
Practice Makes Perfect
You’ve learned a new trick and have shown it to an audience and mesmerized them, should that stop there? No! A magician always practices his bag of tricks, no matter how much he has mastered them. Bungling up a trick in front of an audience is one of the most embarrassing situations...
A magician is an artist. Every trick is a masterpiece and every trick requires a lot of patience and time to learn. Here are some tips to help you improve your tricks.
Practice Makes Perfect
You’ve learned a new trick and have shown it to an audience and mesmerized them, should that stop there? No! A magician always practices his bag of tricks, no matter how much he has mastered them. Bungling up a trick in front of an audience is one of the most embarrassing situations a magician can ever encounter.
You should set some time to practice your magic. Two hours every day is more than enough to help you polish up skills you’ve learned. Remember that time spent in practicing is not time wasted.
Videotape Your Act
Videotaping your act will let you see how the audience perceives you. It is important that you look at your video camera as you do it and try to think of it as your audience. Watching how you perform will let you see simple mistakes you probably didn’t know you were making. It will help in your practice and in knowing if a trick is effective.
Ask for Help
Joining a group could help you improve your tricks. You could watch how they do it. You would also have the chance to show your tricks and receive feedbacks. Remember to ask for help if you think you need it and to heed advice when given.
It’s important to realize that there are better magicians than you and that others have more experience.
Utilize Your Free Time
Going away for the weekends? Perhaps you’re going on a camping trip or fishing. Why not bring your materials with you? There will be free time on your trips where you could practice your tricks or devise new ones.
The trick is to use your time wisely. Think of every free time as a chance to practice and you’ll see improvements on your tricks.
Learning another Trick
Don’t try learning another trick until you’ve mastered your current trick. You should treat it as a painting and practice your trick until it becomes your own masterpiece.
Ask for help if you need them and try your best to finish learning what you’ve started.
A magician will always find ways to learn new tricks. It is important that they realize that a trick is not something to be taken for granted. You need to practice, practice, and practice. That is one way to ensure success in this business.
Practice Makes Perfect
You’ve learned a new trick and have shown it to an audience and mesmerized them, should that stop there? No! A magician always practices his bag of tricks, no matter how much he has mastered them. Bungling up a trick in front of an audience is one of the most embarrassing situations...
A magician is an artist. Every trick is a masterpiece and every trick requires a lot of patience and time to learn. Here are some tips to help you improve your tricks.
Practice Makes Perfect
You’ve learned a new trick and have shown it to an audience and mesmerized them, should that stop there? No! A magician always practices his bag of tricks, no matter how much he has mastered them. Bungling up a trick in front of an audience is one of the most embarrassing situations a magician can ever encounter.
You should set some time to practice your magic. Two hours every day is more than enough to help you polish up skills you’ve learned. Remember that time spent in practicing is not time wasted.
Videotape Your Act
Videotaping your act will let you see how the audience perceives you. It is important that you look at your video camera as you do it and try to think of it as your audience. Watching how you perform will let you see simple mistakes you probably didn’t know you were making. It will help in your practice and in knowing if a trick is effective.
Ask for Help
Joining a group could help you improve your tricks. You could watch how they do it. You would also have the chance to show your tricks and receive feedbacks. Remember to ask for help if you think you need it and to heed advice when given.
It’s important to realize that there are better magicians than you and that others have more experience.
Utilize Your Free Time
Going away for the weekends? Perhaps you’re going on a camping trip or fishing. Why not bring your materials with you? There will be free time on your trips where you could practice your tricks or devise new ones.
The trick is to use your time wisely. Think of every free time as a chance to practice and you’ll see improvements on your tricks.
Learning another Trick
Don’t try learning another trick until you’ve mastered your current trick. You should treat it as a painting and practice your trick until it becomes your own masterpiece.
Ask for help if you need them and try your best to finish learning what you’ve started.
A magician will always find ways to learn new tricks. It is important that they realize that a trick is not something to be taken for granted. You need to practice, practice, and practice. That is one way to ensure success in this business.
Saturday, 25 June 2011
3D Fake Model naramani - Flower 10
3D Fake Models as like
flowers, bushed, tress etc...
to make faster and smaller in
real time 3D Games to use
.x file and .png textures.
flowers, bushed, tress etc...
to make faster and smaller in
real time 3D Games to use
.x file and .png textures.
Friday, 24 June 2011
3D Animation
3D animation deals with electronically produced computer-generated 3D imagery used in motion graphics and digital special effects. In this case, the animator creates a design style or concept that tries to visually interpret and convey the required information using both new and traditional animation techniques.
3D animation deals with electronically produced computer-generated 3D imagery used in motion graphics and digital special effects. In this case, the animator creates a design style or concept that tries to visually interpret and convey the required information using both new and traditional animation techniques.
The 3D animator will have to be well-acquainted with 3D animation applications and software, film and video production techniques, production processes, digital special effects, art and design movements and methodology, typography, styles of performance and dramatization, film and broadcast genres, technical scripting, health and safety regulations for the film and broadcast industry, and an understanding of budgeting and scheduling processes.
The job of the 3D animator is to design and realize original concepts, character and content creation. The animator, therefore, is responsible for devising and communicating creative ideas and accurate technical information. They have to provide the client with detailed estimates of costs, and work within the budget and schedule.
Each assignment will have different demands. So it is imperative that the animator should have a good knowledge and experience of animation software and broadcast processes, as well as a broad knowledge of technical scripting and digital technology used in broadcasting. The designer must be able to respond with innovative concepts and practical solutions for each assignment. The assignments may be of any kind, from designing a spinning top to re-creating mythical weapons.
To succeed in 3D animation, one must have a thorough understanding of computer-generated processes and applications to be able to achieve creative responses to design briefs within the restrictions of budget and deadline. He/she will be required to possess a passion for design, good communication skills and a good understanding of broadcast, special effects and character animation. Last but not least, he or she must enjoy working as a team member under pressure.
In addition to being able to demonstrate high standards of computer-generated imagery and animation techniques you will need to have a good knowledge of art and design movements and imagery, creative problem solving and innovation, and the understanding of how to deliver design concepts and processes.
3D animation deals with electronically produced computer-generated 3D imagery used in motion graphics and digital special effects. In this case, the animator creates a design style or concept that tries to visually interpret and convey the required information using both new and traditional animation techniques.
The 3D animator will have to be well-acquainted with 3D animation applications and software, film and video production techniques, production processes, digital special effects, art and design movements and methodology, typography, styles of performance and dramatization, film and broadcast genres, technical scripting, health and safety regulations for the film and broadcast industry, and an understanding of budgeting and scheduling processes.
The job of the 3D animator is to design and realize original concepts, character and content creation. The animator, therefore, is responsible for devising and communicating creative ideas and accurate technical information. They have to provide the client with detailed estimates of costs, and work within the budget and schedule.
Each assignment will have different demands. So it is imperative that the animator should have a good knowledge and experience of animation software and broadcast processes, as well as a broad knowledge of technical scripting and digital technology used in broadcasting. The designer must be able to respond with innovative concepts and practical solutions for each assignment. The assignments may be of any kind, from designing a spinning top to re-creating mythical weapons.
To succeed in 3D animation, one must have a thorough understanding of computer-generated processes and applications to be able to achieve creative responses to design briefs within the restrictions of budget and deadline. He/she will be required to possess a passion for design, good communication skills and a good understanding of broadcast, special effects and character animation. Last but not least, he or she must enjoy working as a team member under pressure.
In addition to being able to demonstrate high standards of computer-generated imagery and animation techniques you will need to have a good knowledge of art and design movements and imagery, creative problem solving and innovation, and the understanding of how to deliver design concepts and processes.
Thursday, 23 June 2011
3 Tips To Find The Coolest Charms Online
Wow, Charms are popular items these days. There are thousands of online businesses that sell Italian charms to all sorts of people who are interested in collecting or wearing charms as a fashion statement. We’ve dug through a lot of the offers out there and we found that charms of all sorts can be bought for reasonable prices if you look hard enough. Here are the 3 tips to find the coolest charms online.
1)Search for charms on multiple search engines. While this might see...
Wow, Charms are popular items these days. There are thousands of online businesses that sell Italian charms to all sorts of people who are interested in collecting or wearing charms as a fashion statement. We’ve dug through a lot of the offers out there and we found that charms of all sorts can be bought for reasonable prices if you look hard enough. Here are the 3 tips to find the coolest charms online.
1)Search for charms on multiple search engines. While this might seem a little obvious to most people, guess what? Different search engines produce markedly different results. For instance, everyone seems to love Google these days. Google is, indeed a remarkable search engine, but it’s not everything. A lot of new sites have a very tough getting a decent Google ranking no matter what they do. While it may seem weird to dub Microsoft an underdog, the MSN search results might return all sorts of charm related sites that you can’t find elsewhere. Search for “Italian Charms” on MSN and Yahoo, not just Google and you will find very different sites selling different types of charms than those on Google.
2)Compare designers. All charms are not created equal! What seems too good to be true usually is. Charms come from all sorts of designers, from the premiere designers in the world to the lowest quality imaginable. In fact, we wouldn’t be surprised to see Tiffany’s advertising a selection of charms. To say Tiffany’s products are different than other retailers’ is an understatement. Furthermore, some charms are made in China. Overall, expect lower quality in chinese charm bracelets than others. Pursue a good deal, but remember not all charms are created equal.
3)Find a local designer or distributor. Try searching for charms with a zipcode or city name. For instance “charms 90292” might bring a list of local charm retailers near you. You might want to inspect the charm before buying them and using the internet to find local retailers is a great way to do so. Don’t ignore the local merchants, a lot of them have websites too. Use the web for more than mail order shopping, there are a lot of people who use the internet to show off their wares that are only available in their stores.
1)Search for charms on multiple search engines. While this might see...
Wow, Charms are popular items these days. There are thousands of online businesses that sell Italian charms to all sorts of people who are interested in collecting or wearing charms as a fashion statement. We’ve dug through a lot of the offers out there and we found that charms of all sorts can be bought for reasonable prices if you look hard enough. Here are the 3 tips to find the coolest charms online.
1)Search for charms on multiple search engines. While this might seem a little obvious to most people, guess what? Different search engines produce markedly different results. For instance, everyone seems to love Google these days. Google is, indeed a remarkable search engine, but it’s not everything. A lot of new sites have a very tough getting a decent Google ranking no matter what they do. While it may seem weird to dub Microsoft an underdog, the MSN search results might return all sorts of charm related sites that you can’t find elsewhere. Search for “Italian Charms” on MSN and Yahoo, not just Google and you will find very different sites selling different types of charms than those on Google.
2)Compare designers. All charms are not created equal! What seems too good to be true usually is. Charms come from all sorts of designers, from the premiere designers in the world to the lowest quality imaginable. In fact, we wouldn’t be surprised to see Tiffany’s advertising a selection of charms. To say Tiffany’s products are different than other retailers’ is an understatement. Furthermore, some charms are made in China. Overall, expect lower quality in chinese charm bracelets than others. Pursue a good deal, but remember not all charms are created equal.
3)Find a local designer or distributor. Try searching for charms with a zipcode or city name. For instance “charms 90292” might bring a list of local charm retailers near you. You might want to inspect the charm before buying them and using the internet to find local retailers is a great way to do so. Don’t ignore the local merchants, a lot of them have websites too. Use the web for more than mail order shopping, there are a lot of people who use the internet to show off their wares that are only available in their stores.
Wednesday, 22 June 2011
3 Steps to Picking out Your Dream Paint.
Pick out your dream paint and make your house look like a million bucks.
Moving into a new house can be quite an experience. You are totally in a new zone, surrounded by new ceilings and floors near stairs in an entire new layout. You want your home to look the best, so it's important to pick out the right kind of paint. Of course, in a single article, we can't show you absolutely everything that you need to know about moving into your new house, but we are going to try to give you some good tips on picking out a new house quality house paint.
1. Match it. By new house paint is arty difficult as it is in, and you definitely don't want to paint your house a second time. Make sure whatever kind of house paint that you buy matches up with your existing paint. Maybe take a picture or find out exactly what kind of paint you have in your house right now so that when you go to the hardware store, you can show them exactly what you need.
2. Buy high-quality paint. Take a look around at the different types of paint that are available for you to buy in the store. You will quickly notice that paint varies in quality drastically and you generally get way you pay for. Granted, you have to make sure that you're not getting ripped off and you really are getting a good deal, but if you are serious about making money on your house, try to buy the best type of paint that you can afford.
3. Ask a professional. It's okay if you don't know everything about home remodeling. Some people do it for a living. Builders, contractors, subcontractors and other home decorators might be able to give you some words of wisdom and help that you might not be able to get otherwise. Don't be afraid to ask. Just ask them for a little help and you might be able to save yourself some time and headaches.
Of course, there's a lot more to say about house paint. We can't have put everything in one article. Visit our site to learn all about house paint today.
Moving into a new house can be quite an experience. You are totally in a new zone, surrounded by new ceilings and floors near stairs in an entire new layout. You want your home to look the best, so it's important to pick out the right kind of paint. Of course, in a single article, we can't show you absolutely everything that you need to know about moving into your new house, but we are going to try to give you some good tips on picking out a new house quality house paint.
1. Match it. By new house paint is arty difficult as it is in, and you definitely don't want to paint your house a second time. Make sure whatever kind of house paint that you buy matches up with your existing paint. Maybe take a picture or find out exactly what kind of paint you have in your house right now so that when you go to the hardware store, you can show them exactly what you need.
2. Buy high-quality paint. Take a look around at the different types of paint that are available for you to buy in the store. You will quickly notice that paint varies in quality drastically and you generally get way you pay for. Granted, you have to make sure that you're not getting ripped off and you really are getting a good deal, but if you are serious about making money on your house, try to buy the best type of paint that you can afford.
3. Ask a professional. It's okay if you don't know everything about home remodeling. Some people do it for a living. Builders, contractors, subcontractors and other home decorators might be able to give you some words of wisdom and help that you might not be able to get otherwise. Don't be afraid to ask. Just ask them for a little help and you might be able to save yourself some time and headaches.
Of course, there's a lot more to say about house paint. We can't have put everything in one article. Visit our site to learn all about house paint today.
Tuesday, 21 June 2011
3 Secrets Of Magicians
Magicians have their secrets but they won’t tell. It’s a sworn oath for magicians not to tell the audience how a trick is done. There are 3 secrets though that they’ve shared all throughout the years. Here are their 3 secrets.
The first secret is that some tricks are done through sleight of hand. These are ways with which they skillfully hide an object and make it reappear on another hand. New magicians hide things up their sleeves. Those are old tricks and very few used t...
Magicians have their secrets but they won’t tell. It’s a sworn oath for magicians not to tell the audience how a trick is done. There are 3 secrets though that they’ve shared all throughout the years. Here are their 3 secrets.
The first secret is that some tricks are done through sleight of hand. These are ways with which they skillfully hide an object and make it reappear on another hand. New magicians hide things up their sleeves. Those are old tricks and very few used them now.
Sleights of hand require a lot of practice to master. Beginners of magic use specially created gimmicks to create the illusion. Professional magicians make use of their impressive sleight of hand. It requires a lot of time, patience and hand coordination to fully understand and do.
Another secret is the art of misdirection. See this blank paper? And as audience looks at the blank paper, he is carefully getting another piece with his other hand. This is misdirection. Another type of misdirection is the kind that doesn’t let the audience see what’s really causing the tricks. You might have seen that a magician has a lot of assistants who also do incredible stuff, but what you didn’t know is that they are helping the magician perform the magic just with their presence.
Another kind of misdirection is the appropriate use of words. For example, a magician will tell you to look at the ‘empty’ box. We tend to look at the box as empty just because he said it. This causes our mind to wonder when the magician gets a rabbit out of it.
Misdirection takes a lot of practice and lots of time in planning. It requires body coordination (one body doing something while the other is doing another thing) and quick thinking. Misdirection is an art and magicians are proud of it.
Another secret is their patter or a magician’s constant talk. Misdirection is achieved mostly because of patter. The magician will ask you to look at his right hand and as you are looking, you won’t notice what his left hand is doing. This is a really clever way to achieve the illusion that what happens next becomes so magical with the wink of an eye.
Patter usually takes the form of a story, where a magician will tell you of something that happened to him someday. Sometimes it’s so funny that we actually forget to look at what their hands are doing or what their assistants are giving them.
The first secret is that some tricks are done through sleight of hand. These are ways with which they skillfully hide an object and make it reappear on another hand. New magicians hide things up their sleeves. Those are old tricks and very few used t...
Magicians have their secrets but they won’t tell. It’s a sworn oath for magicians not to tell the audience how a trick is done. There are 3 secrets though that they’ve shared all throughout the years. Here are their 3 secrets.
The first secret is that some tricks are done through sleight of hand. These are ways with which they skillfully hide an object and make it reappear on another hand. New magicians hide things up their sleeves. Those are old tricks and very few used them now.
Sleights of hand require a lot of practice to master. Beginners of magic use specially created gimmicks to create the illusion. Professional magicians make use of their impressive sleight of hand. It requires a lot of time, patience and hand coordination to fully understand and do.
Another secret is the art of misdirection. See this blank paper? And as audience looks at the blank paper, he is carefully getting another piece with his other hand. This is misdirection. Another type of misdirection is the kind that doesn’t let the audience see what’s really causing the tricks. You might have seen that a magician has a lot of assistants who also do incredible stuff, but what you didn’t know is that they are helping the magician perform the magic just with their presence.
Another kind of misdirection is the appropriate use of words. For example, a magician will tell you to look at the ‘empty’ box. We tend to look at the box as empty just because he said it. This causes our mind to wonder when the magician gets a rabbit out of it.
Misdirection takes a lot of practice and lots of time in planning. It requires body coordination (one body doing something while the other is doing another thing) and quick thinking. Misdirection is an art and magicians are proud of it.
Another secret is their patter or a magician’s constant talk. Misdirection is achieved mostly because of patter. The magician will ask you to look at his right hand and as you are looking, you won’t notice what his left hand is doing. This is a really clever way to achieve the illusion that what happens next becomes so magical with the wink of an eye.
Patter usually takes the form of a story, where a magician will tell you of something that happened to him someday. Sometimes it’s so funny that we actually forget to look at what their hands are doing or what their assistants are giving them.
Monday, 20 June 2011
A Classic Toy, By Accident
With the popularity of Internet shopping, classic toys that were hard to find, have now started to find a whole new audience. These classics, which sold very well after they were introduced, never seem to go out of style and can still bring a smile to any child’s face.
Let’s step into the past and take a look into the history of one of these classic toys.
In 1943, a Naval engineer accidentally knocked some springs off of a shelf while he was working on a meter designed ...
With the popularity of Internet shopping, classic toys that were hard to find, have now started to find a whole new audience. These classics, which sold very well after they were introduced, never seem to go out of style and can still bring a smile to any child’s face.
Let’s step into the past and take a look into the history of one of these classic toys.
In 1943, a Naval engineer accidentally knocked some springs off of a shelf while he was working on a meter designed to monitor horsepower on battleships. He marveled at the way they “walked” instead of falling and the odd movement of these springs gave Richard James an idea and an instant toy was born. That toy: The Slinky.
Richard James then spent the next two years testing and refining the best steel gauge and coil to utilize for his new toy. His wife, Betty appropriately found the perfect name for this new toy- a Slinky; which is the Swedish word meaning traespiral or sleek.
The couple borrowed five hundred dollars and James designed a machine to coil eighty feet of wire into a two-inch spiral and manufacture their new toy. Sales were slow at first, but soared after the Slinky was demonstrated at Gimbel’s Department Store in Philadelphia for the Christmas season in 1945. The first 400 sold within the ninety-minute demonstration and a new fad had begun.
Around 1960, Richard James suffered what some called a mid-life crisis and left his wife, their six children and joined a Bolivian religious cult. He also deserted the Slinky toy he worked so hard to produce and left the company in debt and ruin. Betty James took over as CEO of James Industries and introduced other toys for the “Slinky line-up” including: Slinky pets, crazy eyes Slinky (glasses with Slinky-extended fake eyeballs), neon Slinky, and also replaced the original black-blue Swedish steel with American steel. Additionally she moved the company headquarters from Philadelphia to Hollidaysburg, Pennsylvania and began an aggressive advertising campaign, complete with the now famous Slinky jingle:
“What walks down stairs, alone in pairs, And makes a Slinkity sound?
A spring, a spring, a marvelous thing, Everyone knows it’s Slinky…
It’s Slinky, it’s Slinky, for fun it’s a wonderful toy
It’s Slinky, it’s Slinky, it’s fun for a girl or a boy”
However, the Slinky is not just an entertaining toy for children. It is used in schools in physics classes to demonstrate wave properties, forces, and energy states. The Slinky still continues to sell (250 million have been sold to date) and are still manufactured in Hollidaysburg, Pennsylvania using the original equipment designed by Richard James.
Let’s step into the past and take a look into the history of one of these classic toys.
In 1943, a Naval engineer accidentally knocked some springs off of a shelf while he was working on a meter designed ...
With the popularity of Internet shopping, classic toys that were hard to find, have now started to find a whole new audience. These classics, which sold very well after they were introduced, never seem to go out of style and can still bring a smile to any child’s face.
Let’s step into the past and take a look into the history of one of these classic toys.
In 1943, a Naval engineer accidentally knocked some springs off of a shelf while he was working on a meter designed to monitor horsepower on battleships. He marveled at the way they “walked” instead of falling and the odd movement of these springs gave Richard James an idea and an instant toy was born. That toy: The Slinky.
Richard James then spent the next two years testing and refining the best steel gauge and coil to utilize for his new toy. His wife, Betty appropriately found the perfect name for this new toy- a Slinky; which is the Swedish word meaning traespiral or sleek.
The couple borrowed five hundred dollars and James designed a machine to coil eighty feet of wire into a two-inch spiral and manufacture their new toy. Sales were slow at first, but soared after the Slinky was demonstrated at Gimbel’s Department Store in Philadelphia for the Christmas season in 1945. The first 400 sold within the ninety-minute demonstration and a new fad had begun.
Around 1960, Richard James suffered what some called a mid-life crisis and left his wife, their six children and joined a Bolivian religious cult. He also deserted the Slinky toy he worked so hard to produce and left the company in debt and ruin. Betty James took over as CEO of James Industries and introduced other toys for the “Slinky line-up” including: Slinky pets, crazy eyes Slinky (glasses with Slinky-extended fake eyeballs), neon Slinky, and also replaced the original black-blue Swedish steel with American steel. Additionally she moved the company headquarters from Philadelphia to Hollidaysburg, Pennsylvania and began an aggressive advertising campaign, complete with the now famous Slinky jingle:
“What walks down stairs, alone in pairs, And makes a Slinkity sound?
A spring, a spring, a marvelous thing, Everyone knows it’s Slinky…
It’s Slinky, it’s Slinky, for fun it’s a wonderful toy
It’s Slinky, it’s Slinky, it’s fun for a girl or a boy”
However, the Slinky is not just an entertaining toy for children. It is used in schools in physics classes to demonstrate wave properties, forces, and energy states. The Slinky still continues to sell (250 million have been sold to date) and are still manufactured in Hollidaysburg, Pennsylvania using the original equipment designed by Richard James.
Sunday, 19 June 2011
5 Desktop Computer Hardware Myths Exposed
The big boys in the computer industry thrive on consumers lack of knowledge and old ideas about desktop computers and computer hardware to drive sales of new desktop computers. We expose the myths that help keep their business alive.
The big boys in the computer industry want you to continue thinking the way you are. The major desktop computer manufacturers thrive on consumers lack of knowledge and old ideas about desktop computers and computer hardware to drive sales of new desktop computers.
It works in their favor to keep these myths alive, because their business depends on it. So what are they?
Myth 1: You need top of the line computer hardware
Maybe some years ago this might have been true with older computer hardware, but times have changed. When computers were much slower than they are now, the latest version of any computer hardware increased speeds noticeably and allowed new possibilities from your desktop computer.
Those increases from computer hardware no longer yield such a huge increase in performance. With the basic uses of the desktop computer set and been in place for a while now, speed increases no longer result in real world benefits for most desktop computer users.
What was great computer hardware last year is still good enough now.
Myth 2: Computer hardware is the domain of Geeks
When personal computing was coming into its own, you really did need to be a Geek to know what was happening. For those old enough to remember, imagine life without Windows and hacking away at the command line, as used to be the case. Some still do, but I wouldn't want to do that again.
Desktop computers are such commonplace that the basics of computer hardware can be understood and researched with the minimum of hassle. The ball is on the consumers side of the court. You no longer need to be a geek, just a little knowledge that is now readily available.
Myth 3: A faster desktop computer will speed up the Internet
Possibly. If you are running 5-year-old computer hardware this might be the case. But the real reason for the increase in speed is usually not the computer.
Internet speed is related to your connection speed. If you have a dial up connection, it's going to be quite slow. When you upgrade your desktop computer and they throw in a cable internet, or DSL package the improved speed is from the faster connection, not the computer. Both cable and DSL can offer more than 10 times the speed of a dial-up connection. The computer has little to do with it.
Myth 4: To speed your computer up, upgrade!
New computer hardware is a very obvious way to speed things up. Even I have gone for new parts purely for this reason.
But it's definitely not the only way.
Various factors play into overall speed. On a purely physical level, upgrading memory is still a fantastic way to get things to move along a little faster. But apart from this the main things that slows things down on the programs and other stuff you have on the computer.
Over time, as more programs are put on and taken off and changed, things get left behind, and things get forgotten. When your computer starts, many things get loaded into memory and each one of those takes that little bit more of the computers resources. When you switch to a new program and don't remove the old one, the older one will still use resources.
Myth 5: Big brands are the best
Big brands essentially piece together a computer. They pick and choose the pieces to make a computer package. They also choose some software, give a warranty and then sell it to you.
Dell computer company has become well known for its customer service. This is the best part about Dell computers. The downside is there are limited choices. They pick what goes into the computer, which are often quite expensive parts. They are motivated by the suppliers to put more recent parts into their computers, keeping the prices at the same level and maintaining the "to get more, pay more," mentality.
You don't have the power of these big guys, but you have something more. Choice.
Your pick of parts for your desktop computer will allow you to put together something completely tailored to your needs. Put the money where you need it most, into the computer hardware that makes the biggest difference to you, and in the end getting a desktop computer you will fall in love with, rather than despise.
The big boys in the computer industry want you to continue thinking the way you are. The major desktop computer manufacturers thrive on consumers lack of knowledge and old ideas about desktop computers and computer hardware to drive sales of new desktop computers.
It works in their favor to keep these myths alive, because their business depends on it. So what are they?
Myth 1: You need top of the line computer hardware
Maybe some years ago this might have been true with older computer hardware, but times have changed. When computers were much slower than they are now, the latest version of any computer hardware increased speeds noticeably and allowed new possibilities from your desktop computer.
Those increases from computer hardware no longer yield such a huge increase in performance. With the basic uses of the desktop computer set and been in place for a while now, speed increases no longer result in real world benefits for most desktop computer users.
What was great computer hardware last year is still good enough now.
Myth 2: Computer hardware is the domain of Geeks
When personal computing was coming into its own, you really did need to be a Geek to know what was happening. For those old enough to remember, imagine life without Windows and hacking away at the command line, as used to be the case. Some still do, but I wouldn't want to do that again.
Desktop computers are such commonplace that the basics of computer hardware can be understood and researched with the minimum of hassle. The ball is on the consumers side of the court. You no longer need to be a geek, just a little knowledge that is now readily available.
Myth 3: A faster desktop computer will speed up the Internet
Possibly. If you are running 5-year-old computer hardware this might be the case. But the real reason for the increase in speed is usually not the computer.
Internet speed is related to your connection speed. If you have a dial up connection, it's going to be quite slow. When you upgrade your desktop computer and they throw in a cable internet, or DSL package the improved speed is from the faster connection, not the computer. Both cable and DSL can offer more than 10 times the speed of a dial-up connection. The computer has little to do with it.
Myth 4: To speed your computer up, upgrade!
New computer hardware is a very obvious way to speed things up. Even I have gone for new parts purely for this reason.
But it's definitely not the only way.
Various factors play into overall speed. On a purely physical level, upgrading memory is still a fantastic way to get things to move along a little faster. But apart from this the main things that slows things down on the programs and other stuff you have on the computer.
Over time, as more programs are put on and taken off and changed, things get left behind, and things get forgotten. When your computer starts, many things get loaded into memory and each one of those takes that little bit more of the computers resources. When you switch to a new program and don't remove the old one, the older one will still use resources.
Myth 5: Big brands are the best
Big brands essentially piece together a computer. They pick and choose the pieces to make a computer package. They also choose some software, give a warranty and then sell it to you.
Dell computer company has become well known for its customer service. This is the best part about Dell computers. The downside is there are limited choices. They pick what goes into the computer, which are often quite expensive parts. They are motivated by the suppliers to put more recent parts into their computers, keeping the prices at the same level and maintaining the "to get more, pay more," mentality.
You don't have the power of these big guys, but you have something more. Choice.
Your pick of parts for your desktop computer will allow you to put together something completely tailored to your needs. Put the money where you need it most, into the computer hardware that makes the biggest difference to you, and in the end getting a desktop computer you will fall in love with, rather than despise.
Saturday, 18 June 2011
A Glorious Feast of Traditional Chinese Dance
New Tang Dynasty Television’s Chinese New Year Spectacular offers a truly tantalizing variety of dance this year, featuring all-new dance troupes and drawing upon 5,000 years of history spanning a vast range of different folk traditions, from Mongolia to Tibet to the Yunnan region of China.
New Tang Dynasty Television’s Chinese New Year Spectacular offers a truly tantalizing variety of dance this year, featuring all-new dance troupes and drawing upon 5,000 years of history spanning a vast range of different folk traditions from Mongolia to Tibet to the Yunnan region of China.
Acclaimed choreographer Yung Yung Tsuai has been working with the Spectacular since its inception in 2004. Ms. Tsuai came to the United States in 1970 to study contemporary dance on a Martha Graham Scholarship. She stayed on with the Graham Company and still teaches at the Martha Graham School of contemporary dance today.
Ms. Tsuai says the Spectacular is a particularly meaningful production for a lot of people because “over the last 100 years, much of China’s rich traditional culture has been destroyed. People have lost their roots,” Ms. Tsuai says. “Our performers want wholeheartedly to convey their culture and traditions to the audience to remind them, and themselves, of who the Chinese are.”
Hundreds of dancers from all over the United States and Canada rehearsed almost every day for over a year. Yung Yung Tsuai is but one of six dance teachers, all of whom graduated from China’s top dance schools, resulting in a combined total of more than a hundred years of training and experience. With so many expert teachers, Ms. Tsui says, “collaboration is a major part of the project.”
Although choreographers use traditional themes and styles, many dances actually combine the styles of both east and west, fusing ballet techniques with the expressiveness of classical Chinese dance. All the dancers train extensively in both. Ms. Tsuai says ballet helps the dancers develop the skill needed to execute the classical Chinese movements.
For Ms. Tsuai, what is unique about the Spectacular is not just the dances themselves or the dazzling costumes, it is how the dances affect the audience. For those few minutes that each piece is presented on the stage, she says viewers will feel they have entered a time and place governed by chivalry, loyalty, and honesty—a place where beauty and peace prevail. “We are not just showing people traditional Chinese culture; we are waking up the part of them that yearns for beauty and goodness,” said Ms. Tsuai.
This is what draws her back every year, sometimes as a choreographer, sometimes as a dance teacher. And, she says, this is what motivates the hundreds of dancers who give their lives over to the handful of days a year when the show comes to the stage.
“Art is the food of the soul,” said Ms. Tsuai. “If you see art that promotes peace and harmony, you will bring that home with you. That’s what’s important. In the past people lived as if they were in a divine realm. Daily life wasn’t necessarily religious but it was very spiritual. When art presents the beauty and positive side of human nature, it can positively influence people in how they relate to others in their daily lives.”
Ms. Tsuai is confident the audience will leave NTDTV’s Chinese New Year Spectacular feeling not only entertained but nourished and rejuvenated by this veritable feast for the soul.
New Tang Dynasty Television’s Chinese New Year Spectacular offers a truly tantalizing variety of dance this year, featuring all-new dance troupes and drawing upon 5,000 years of history spanning a vast range of different folk traditions from Mongolia to Tibet to the Yunnan region of China.
Acclaimed choreographer Yung Yung Tsuai has been working with the Spectacular since its inception in 2004. Ms. Tsuai came to the United States in 1970 to study contemporary dance on a Martha Graham Scholarship. She stayed on with the Graham Company and still teaches at the Martha Graham School of contemporary dance today.
Ms. Tsuai says the Spectacular is a particularly meaningful production for a lot of people because “over the last 100 years, much of China’s rich traditional culture has been destroyed. People have lost their roots,” Ms. Tsuai says. “Our performers want wholeheartedly to convey their culture and traditions to the audience to remind them, and themselves, of who the Chinese are.”
Hundreds of dancers from all over the United States and Canada rehearsed almost every day for over a year. Yung Yung Tsuai is but one of six dance teachers, all of whom graduated from China’s top dance schools, resulting in a combined total of more than a hundred years of training and experience. With so many expert teachers, Ms. Tsui says, “collaboration is a major part of the project.”
Although choreographers use traditional themes and styles, many dances actually combine the styles of both east and west, fusing ballet techniques with the expressiveness of classical Chinese dance. All the dancers train extensively in both. Ms. Tsuai says ballet helps the dancers develop the skill needed to execute the classical Chinese movements.
For Ms. Tsuai, what is unique about the Spectacular is not just the dances themselves or the dazzling costumes, it is how the dances affect the audience. For those few minutes that each piece is presented on the stage, she says viewers will feel they have entered a time and place governed by chivalry, loyalty, and honesty—a place where beauty and peace prevail. “We are not just showing people traditional Chinese culture; we are waking up the part of them that yearns for beauty and goodness,” said Ms. Tsuai.
This is what draws her back every year, sometimes as a choreographer, sometimes as a dance teacher. And, she says, this is what motivates the hundreds of dancers who give their lives over to the handful of days a year when the show comes to the stage.
“Art is the food of the soul,” said Ms. Tsuai. “If you see art that promotes peace and harmony, you will bring that home with you. That’s what’s important. In the past people lived as if they were in a divine realm. Daily life wasn’t necessarily religious but it was very spiritual. When art presents the beauty and positive side of human nature, it can positively influence people in how they relate to others in their daily lives.”
Ms. Tsuai is confident the audience will leave NTDTV’s Chinese New Year Spectacular feeling not only entertained but nourished and rejuvenated by this veritable feast for the soul.
Friday, 17 June 2011
5 Ways Nintendo can Climb to the Top
Read about the things Nintendo can do to assert itself as a powerful player in the industry.
5: Shifting Media Man
Nintendo needs to ditch mini-disks and cartridges and publish games on full size compact disks. It will help get rid of your “cute, fuzzy, little kid image.”
4: Deadline Driving for 8 Billion Red Coins
Don’t hype up a game until you’re sure you can release it on time. You get me all worked up about a game like Twilight Princess and then push it back, and back, and back until you’ve pushed back into another console! It gets old! Stop doing it. Finish the game then tell people about it six month before you release it. Problem solved.
3: Footrace with Sony the Quick
It’s a little late for this one Nintendo, but you need to beat Sony to the market if you can. Get your Revolution hardware out and in our hands and take our dollars as soon as possible because after we buy an X-Box 360, 4 controllers, and a hard drive we’re probably going to have enough money for just one Next Gen system. If you can beat Sony to the market and suck up $250 bucks plus the cost of controllers, games, and memory cards people won’t be willing to shell out the $600 bucks plus games and accessory money for Play Station III.
2. Nintendo's Image Lost
You need to fix your image, you have the 3-9 year old market cornered, and nobody can touch you, but now its time to graduate to the big leagues. If you want to survive and latch onto the adult audience I suggest buying a well-known franchise like Grand Theft Auto or create one and make it a Nintendo exclusive. Remind people Nintendo started the age of multiplayer console shooters with Goldeneye.
1. To the Top of the Mountain
Last, but not least, you seriously need to get a better shell for your controller. I personally like it and think it's brilliant, but people aren't ready for it yet. You need to have a more traditional controller for your next gen system. I'm NOT SAYING YOU SHOULD GET RID OF THE MOTION SENSOR, but definitely scrap the remote control look.
5: Shifting Media Man
Nintendo needs to ditch mini-disks and cartridges and publish games on full size compact disks. It will help get rid of your “cute, fuzzy, little kid image.”
4: Deadline Driving for 8 Billion Red Coins
Don’t hype up a game until you’re sure you can release it on time. You get me all worked up about a game like Twilight Princess and then push it back, and back, and back until you’ve pushed back into another console! It gets old! Stop doing it. Finish the game then tell people about it six month before you release it. Problem solved.
3: Footrace with Sony the Quick
It’s a little late for this one Nintendo, but you need to beat Sony to the market if you can. Get your Revolution hardware out and in our hands and take our dollars as soon as possible because after we buy an X-Box 360, 4 controllers, and a hard drive we’re probably going to have enough money for just one Next Gen system. If you can beat Sony to the market and suck up $250 bucks plus the cost of controllers, games, and memory cards people won’t be willing to shell out the $600 bucks plus games and accessory money for Play Station III.
2. Nintendo's Image Lost
You need to fix your image, you have the 3-9 year old market cornered, and nobody can touch you, but now its time to graduate to the big leagues. If you want to survive and latch onto the adult audience I suggest buying a well-known franchise like Grand Theft Auto or create one and make it a Nintendo exclusive. Remind people Nintendo started the age of multiplayer console shooters with Goldeneye.
1. To the Top of the Mountain
Last, but not least, you seriously need to get a better shell for your controller. I personally like it and think it's brilliant, but people aren't ready for it yet. You need to have a more traditional controller for your next gen system. I'm NOT SAYING YOU SHOULD GET RID OF THE MOTION SENSOR, but definitely scrap the remote control look.
Thursday, 16 June 2011
5 very Important Questions You Need To Ask Your Web- hosts Before You Buy
You finally decided to approach a web-hosting company for hosting your website. You got your domain name registered or perhaps you did not.
You finally decided to approach a web-hosting company for hosting your website. You got your domain name registered or perhaps you did not. Web Hosting isn't like buying groceries - there are far too many things you have to consider even for something that looks deceptively this simple as putting up a website. It depends on how cautious you are and how you manage to bag the best web-hosting provider available to serve you.
It would help you a great deal if you asked your potential web hosting provider a few pointed questions such as those mentioned below, along with the reasons as to why you need to ask ( for your knowledge).
1. Do they have sound customer support systems in place?
Now, you would find a lot of web-hosting serve providers online. Some of them serve their customers promptly while some don't. It is very important as a web master, or a web site owner for you to know how your potential service provider rates on this aspect. You could shoot some pre-sales questions about something you wanted to know or ask them one of these other questions and wait to see the response period. If they don't respond within 24 hrs (the Industry Standard) you are talking to trouble-hosting providers. Good customer service and the extent to which the provider would go to educate you or familiarize you with their available services would mean a lot to you as a client.
2. Server systems, technology, Data Centers, Back-up schedules: Does your provider explain his standing on these?
Servers are a must for a web-hosting provider. It forms his basic infrastructure. Back-systems are scheduled to run automatically and these servers are backed-up as frequently as daily with some hosting providers. What does your potential provider has to say about these things? Do they mention the kind of technology they use? Do they have reliable back-up systems at traceable data-centers? How are they equipped technically? Do they have technical people on rolls?
3. Company data, financial standing and profitability: How sound is your provider financially?
You must be wondering as to why you need to bother about your web-hosting provider's financial standing - well, it so happens than some companies might be new and there are chances that you could be talking to a fly-by-night operator. Properly financial health also signifies a stronger management which might be placed better to be able to serve its present and potential customers. However, it is another entirely that some of the best of the web-site providers also make losses and is not to be mistaken that they do not have good customer support or services offered.
4. What might be scope of service provided?
What exactly is your service provider going to offer to you? Depending on your requirements he must be able to provide everything (almost!) under one roof. You could have wanted just a single page hosted or perhaps you wanted a 300 page super content website -Do they have the range to suit your requirements? Under your allocated budgets? Single page websites usually are simple HTML pages and can be hosted easily. Your requirement can be very complex too which calls for inclusion of different application platforms like PHP, asp.net and Java extending up to scripts, forum, shopping carts, Intuitive control panels, plesk and also enabling e-commerce. So can your service provider be able to provide you all of this?
If you had plans of making a truly interactive and content rich site, you could have thought of including content in the form of Video, streaming media, blogs, chatting, live customer support and much more. You will have to ensure that your service provider is able to provide you with all of this and much more.
5. What's your provider's take on Hosting reliability and up-time guarantee?
Up-time when it comes hosting means the time (expressed in percentages) the host is available to access through the Internet. You would have seen a lot of hosting providers mention a 99.9 % up-time guarantee. But then, you ought to realize that any hosting application environment calls for maintenance too. You should ask how the web-hosting provider manages to shuffle this time efficiently. How do they manage their maintenance?
According to an extract from wikipedia
"A popular claim from the popular hosting providers is '99% or 99.9% server uptime' but this often refers only to a server being powered on and doesn't account for network downtime. Real downtime can potentially be larger than the percentage guaranteed by the provider. Many providers tie uptime, and accessibility, into their own Service Level Agreement, or SLA. SLAs may or may not include refunds or reduced costs if performance goals are not met. One must be extremely careful when selecting a new company and they should read all terms and conditions carefully. A potential customer should also check out the web hosting company's Acceptable Use Policy in order to avoid potential cancellation of services due to activities that are considered a violation"
Hence, it is important to read all their terms and conditions carefully before signing up any new company as mentioned above and never forget the Acceptable Use Policy before signing on the dotted lines.
You finally decided to approach a web-hosting company for hosting your website. You got your domain name registered or perhaps you did not. Web Hosting isn't like buying groceries - there are far too many things you have to consider even for something that looks deceptively this simple as putting up a website. It depends on how cautious you are and how you manage to bag the best web-hosting provider available to serve you.
It would help you a great deal if you asked your potential web hosting provider a few pointed questions such as those mentioned below, along with the reasons as to why you need to ask ( for your knowledge).
1. Do they have sound customer support systems in place?
Now, you would find a lot of web-hosting serve providers online. Some of them serve their customers promptly while some don't. It is very important as a web master, or a web site owner for you to know how your potential service provider rates on this aspect. You could shoot some pre-sales questions about something you wanted to know or ask them one of these other questions and wait to see the response period. If they don't respond within 24 hrs (the Industry Standard) you are talking to trouble-hosting providers. Good customer service and the extent to which the provider would go to educate you or familiarize you with their available services would mean a lot to you as a client.
2. Server systems, technology, Data Centers, Back-up schedules: Does your provider explain his standing on these?
Servers are a must for a web-hosting provider. It forms his basic infrastructure. Back-systems are scheduled to run automatically and these servers are backed-up as frequently as daily with some hosting providers. What does your potential provider has to say about these things? Do they mention the kind of technology they use? Do they have reliable back-up systems at traceable data-centers? How are they equipped technically? Do they have technical people on rolls?
3. Company data, financial standing and profitability: How sound is your provider financially?
You must be wondering as to why you need to bother about your web-hosting provider's financial standing - well, it so happens than some companies might be new and there are chances that you could be talking to a fly-by-night operator. Properly financial health also signifies a stronger management which might be placed better to be able to serve its present and potential customers. However, it is another entirely that some of the best of the web-site providers also make losses and is not to be mistaken that they do not have good customer support or services offered.
4. What might be scope of service provided?
What exactly is your service provider going to offer to you? Depending on your requirements he must be able to provide everything (almost!) under one roof. You could have wanted just a single page hosted or perhaps you wanted a 300 page super content website -Do they have the range to suit your requirements? Under your allocated budgets? Single page websites usually are simple HTML pages and can be hosted easily. Your requirement can be very complex too which calls for inclusion of different application platforms like PHP, asp.net and Java extending up to scripts, forum, shopping carts, Intuitive control panels, plesk and also enabling e-commerce. So can your service provider be able to provide you all of this?
If you had plans of making a truly interactive and content rich site, you could have thought of including content in the form of Video, streaming media, blogs, chatting, live customer support and much more. You will have to ensure that your service provider is able to provide you with all of this and much more.
5. What's your provider's take on Hosting reliability and up-time guarantee?
Up-time when it comes hosting means the time (expressed in percentages) the host is available to access through the Internet. You would have seen a lot of hosting providers mention a 99.9 % up-time guarantee. But then, you ought to realize that any hosting application environment calls for maintenance too. You should ask how the web-hosting provider manages to shuffle this time efficiently. How do they manage their maintenance?
According to an extract from wikipedia
"A popular claim from the popular hosting providers is '99% or 99.9% server uptime' but this often refers only to a server being powered on and doesn't account for network downtime. Real downtime can potentially be larger than the percentage guaranteed by the provider. Many providers tie uptime, and accessibility, into their own Service Level Agreement, or SLA. SLAs may or may not include refunds or reduced costs if performance goals are not met. One must be extremely careful when selecting a new company and they should read all terms and conditions carefully. A potential customer should also check out the web hosting company's Acceptable Use Policy in order to avoid potential cancellation of services due to activities that are considered a violation"
Hence, it is important to read all their terms and conditions carefully before signing up any new company as mentioned above and never forget the Acceptable Use Policy before signing on the dotted lines.
Wednesday, 15 June 2011
7 Ways To Ensure Your Artwork Is Print Ready
The following article provides a quick guide on what to think about when preparing your artwork for printing.
It is important you follow these guidlines as any errors made are likely to cause a delay or cause unncessary stress should the final print quality be sub-standard.
1. Check your files
Check your artwork for spelling mistakes, grammar and ensure all images used are high resolution. Double check to make sure as any errors found will delay the turnaround of your ...
The following article provides a quick guide on what to think about when preparing your artwork for printing.
It is important you follow these guidlines as any errors made are likely to cause a delay or cause unncessary stress should the final print quality be sub-standard.
1. Check your files
Check your artwork for spelling mistakes, grammar and ensure all images used are high resolution. Double check to make sure as any errors found will delay the turnaround of your ...
It is important you follow these guidlines as any errors made are likely to cause a delay or cause unncessary stress should the final print quality be sub-standard.
1. Check your files
Check your artwork for spelling mistakes, grammar and ensure all images used are high resolution. Double check to make sure as any errors found will delay the turnaround of your ...
The following article provides a quick guide on what to think about when preparing your artwork for printing.
It is important you follow these guidlines as any errors made are likely to cause a delay or cause unncessary stress should the final print quality be sub-standard.
1. Check your files
Check your artwork for spelling mistakes, grammar and ensure all images used are high resolution. Double check to make sure as any errors found will delay the turnaround of your ...
Tuesday, 14 June 2011
Alice Cooper - True Rock And Roll Is Live Once Again
The originator of “shock rock” is brining his live act back to the stage in 2006, and Alice Cooper is sure to create the same frenzy he always has. Cooper’s past acts on stage are famous, or infamous, depending on your point of view, but one thing that’s indisputable is that his show is one that every member of the audience remembers. Cooper’s sound is as memorable as his live act, and a look at his life may help explain how his persona came to be.
Early Life
Vincent Da...
The originator of “shock rock” is brining his live act back to the stage in 2006, and Alice Cooper is sure to create the same frenzy he always has. Cooper’s past acts on stage are famous, or infamous, depending on your point of view, but one thing that’s indisputable is that his show is one that every member of the audience remembers. Cooper’s sound is as memorable as his live act, and a look at his life may help explain how his persona came to be.
Early Life
Vincent Damon Furnier was born in Detroit on February 4, 1948. His heritage was quite interesting, in that his grandfather was an ordained Apostle of the Church of Jesus Christ and his father was an elder in the same church. After spending the first few years of his life in Detroit, the family decided to move to Phoenix, which was where Vincent spent his formative years.
Furnier enrolled at Cortez high school in Phoenix, and became known by his peers as a columnist in the school newspaper. His tone in these columns was quite sarcastic, and two of his loyal readers became his closest friends of the time - Glen Buxton and Dennis Dunaway. Buxton and Dunaway would play a large role in Furnier’s musical career down the road.
Furnier, Buxton and Dunaway were motivated by one thing in high school - gaining the attention and adulation of the female students at Cortez. Their first foray into the musical world occurred during a school talent show where they donned wigs and gave a mock performance of songs by The Beatles. Even though their show was definitely amateur in nature, the group discovered that music was definitely the way to go if they wanted to be popular.
The trio was joined by another friend, Michael Bruce, and the quartet formed a band named The Earwigs. The group’s musical influences included The Beatles, Pink Floyd, The Rolling Stones, The Who, The Kinks and especially Eric Clapton and The Yardbirds. The name “Earwigs” didn’t last long, as the band soon became known as the Spiders.
The Spiders released a single, "Don't Blow Your Mind," that was a hit on Phoenix radio, and as a result, the band once again changed their name to The Nazz and traveled to Hollywood to pursue larger goals. Despite years of struggle in Los Angeles, The Nazz did manage to play opening acts for such bands as The Doors and The Yardbirds. The final change came in 1968, when Todd Rundgren named his band The Nazz, forcing Furnier and his crew to rename their band “Alice Cooper.”
Alice Cooper Days
In 1969, the band Alice Cooper released their first album, Pretties For You, which sold reasonably well but was seen as an outlandish work at the time. One of the reasons was the legendary story that the band showed up still reeling from a night of heavy drinking to record the album. This legend helped play into the overall theme of craziness that the band embodied going forward.
The band Alice Cooper released a total of five albums, but they split up in 1974. Furnier then became known as Alice Cooper, and released his first album, Welcome to My Nightmare, in 1975. The album became a top ten hit, and Cooper was on his way to stardom.
Since then, Cooper has released more than 30 studio, live and compilation albums, and has sold millions of records worldwide. His onstage legend has never waned. Even though he denies biting the head off a chicken and drinking its blood, the story made waves all over the world and is still a subject of discussion in many interviews.
Cooper’s outrageousness is definitely part of why he is known, but he is also one of the top-selling artists of his time. He has always flown a bit under the radar, but his shock rock innovations have been admired and to an extent imitated by the likes of Judas Priest, Kiss, Megadeath and Marilyn Manson.
One thing is sure - to see Alice Cooper is to see a show you’ll never forget.
Early Life
Vincent Da...
The originator of “shock rock” is brining his live act back to the stage in 2006, and Alice Cooper is sure to create the same frenzy he always has. Cooper’s past acts on stage are famous, or infamous, depending on your point of view, but one thing that’s indisputable is that his show is one that every member of the audience remembers. Cooper’s sound is as memorable as his live act, and a look at his life may help explain how his persona came to be.
Early Life
Vincent Damon Furnier was born in Detroit on February 4, 1948. His heritage was quite interesting, in that his grandfather was an ordained Apostle of the Church of Jesus Christ and his father was an elder in the same church. After spending the first few years of his life in Detroit, the family decided to move to Phoenix, which was where Vincent spent his formative years.
Furnier enrolled at Cortez high school in Phoenix, and became known by his peers as a columnist in the school newspaper. His tone in these columns was quite sarcastic, and two of his loyal readers became his closest friends of the time - Glen Buxton and Dennis Dunaway. Buxton and Dunaway would play a large role in Furnier’s musical career down the road.
Furnier, Buxton and Dunaway were motivated by one thing in high school - gaining the attention and adulation of the female students at Cortez. Their first foray into the musical world occurred during a school talent show where they donned wigs and gave a mock performance of songs by The Beatles. Even though their show was definitely amateur in nature, the group discovered that music was definitely the way to go if they wanted to be popular.
The trio was joined by another friend, Michael Bruce, and the quartet formed a band named The Earwigs. The group’s musical influences included The Beatles, Pink Floyd, The Rolling Stones, The Who, The Kinks and especially Eric Clapton and The Yardbirds. The name “Earwigs” didn’t last long, as the band soon became known as the Spiders.
The Spiders released a single, "Don't Blow Your Mind," that was a hit on Phoenix radio, and as a result, the band once again changed their name to The Nazz and traveled to Hollywood to pursue larger goals. Despite years of struggle in Los Angeles, The Nazz did manage to play opening acts for such bands as The Doors and The Yardbirds. The final change came in 1968, when Todd Rundgren named his band The Nazz, forcing Furnier and his crew to rename their band “Alice Cooper.”
Alice Cooper Days
In 1969, the band Alice Cooper released their first album, Pretties For You, which sold reasonably well but was seen as an outlandish work at the time. One of the reasons was the legendary story that the band showed up still reeling from a night of heavy drinking to record the album. This legend helped play into the overall theme of craziness that the band embodied going forward.
The band Alice Cooper released a total of five albums, but they split up in 1974. Furnier then became known as Alice Cooper, and released his first album, Welcome to My Nightmare, in 1975. The album became a top ten hit, and Cooper was on his way to stardom.
Since then, Cooper has released more than 30 studio, live and compilation albums, and has sold millions of records worldwide. His onstage legend has never waned. Even though he denies biting the head off a chicken and drinking its blood, the story made waves all over the world and is still a subject of discussion in many interviews.
Cooper’s outrageousness is definitely part of why he is known, but he is also one of the top-selling artists of his time. He has always flown a bit under the radar, but his shock rock innovations have been admired and to an extent imitated by the likes of Judas Priest, Kiss, Megadeath and Marilyn Manson.
One thing is sure - to see Alice Cooper is to see a show you’ll never forget.
Monday, 13 June 2011
Addiction to Fame and Celebrity
As far as their fans are concerned, celebrities fulfil two emotional functions: they provide a mythical narrative (a story that the fan can follow and identify with) and they function as blank screens onto which the fans project their dreams, hopes, fears, plans, values, and desires (wish fulfilment).
Question:
Are Narcissists addicted to being famous?
Answer:
You bet. This, by far, is their predominant drive. Being famous encompasses a few important functions: it endows the narcissist with power, provides him with a constant Source of Narcissistic Supply (admiration, adoration, approval, awe), and fulfils important Ego functions.
The image that the narcissist projects is hurled back at him, reflected by those exposed to his celebrity or fame. This way he feels alive, his very existence is affirmed and he acquires a sensation of clear boundaries (where the narcissist ends and the world begins).
There is a set of narcissistic behaviours typical to the pursuit of celebrity. There is almost nothing that the narcissist refrains from doing, almost no borders that he hesitates to cross to achieve renown. To him, there is no such thing as "bad publicity" – what matters is to be in the public eye.
Because the narcissist equally enjoys all types of attention and likes as much to be feared as to be loved, for instance – he doesn't mind if what is published about him is wrong ("as long as they spell my name correctly"). The narcissist's only bad emotional stretches are during periods of lack of attention, publicity, or exposure.
The narcissist then feels empty, hollowed out, negligible, humiliated, wrathful, discriminated against, deprived, neglected, treated unjustly and so on. At first, he tries to obtain attention from ever narrowing groups of reference ("supply scale down"). But the feeling that he is compromising gnaws at his anyhow fragile self-esteem.
Sooner or later, the spring bursts. The narcissist plots, contrives, plans, conspires, thinks, analyses, synthesises and does whatever else is necessary to regain the lost exposure in the public eye. The more he fails to secure the attention of the target group (always the largest) – the more daring, eccentric and outlandish he becomes. Firm decision to become known is transformed into resolute action and then to a panicky pattern of attention seeking behaviours.
The narcissist is not really interested in publicity per se. Narcissists are misleading. The narcissist appears to love himself – and, really, he abhors himself. Similarly, he appears to be interested in becoming a celebrity – and, in reality, he is concerned with the REACTIONS to his fame: people watch him, notice him, talk about him, debate his actions – therefore he exists.
The narcissist goes around "hunting and collecting" the way the expressions on people's faces change when they notice him. He places himself at the centre of attention, or even as a figure of controversy. He constantly and recurrently pesters those nearest and dearest to him in a bid to reassure himself that he is not losing his fame, his magic touch, the attention of his social milieu.
Truly, the narcissist is not choosy. If he can become famous as a writer – he writes, if as a businessman – he conducts business. He switches from one field to the other with ease and without remorse because in all of them he is present without conviction, bar the conviction that he must (and deserves to) get famous.
He grades activities, hobbies and people not according to the pleasure that they give him – but according to their utility: can they or can't they make him known and, if so, to what extent. The narcissist is one-track minded (not to say obsessive). His is a world of black (being unknown and deprived of attention) and white (being famous and celebrated).
--------------------------------------------------------------------------------
Mistreating Celebrities - An Interview
Granted to Superinteressante Magazine in Brazil
Q. Fame and TV shows about celebrities usually have a huge audience. This is understandable: people like to see other successful people. But why people like to see celebrities being humiliated?
A. As far as their fans are concerned, celebrities fulfil two emotional functions: they provide a mythical narrative (a story that the fan can follow and identify with) and they function as blank screens onto which the fans project their dreams, hopes, fears, plans, values, and desires (wish fulfilment). The slightest deviation from these prescribed roles provokes enormous rage and makes us want to punish (humiliate) the "deviant" celebrities.
But why?
When the human foibles, vulnerabilities, and frailties of a celebrity are revealed, the fan feels humiliated, "cheated", hopeless, and "empty". To reassert his self-worth, the fan must establish his or her moral superiority over the erring and "sinful" celebrity. The fan must "teach the celebrity a lesson" and show the celebrity "who's boss". It is a primitive defense mechanism - narcissistic grandiosity. It puts the fan on equal footing with the exposed and "naked" celebrity.
Q. This taste for watching a person being humiliated has something to do with the attraction to catastrophes and tragedies?
A. There is always a sadistic pleasure and a morbid fascination in vicarious suffering. Being spared the pains and tribulations others go through makes the observer feel "chosen", secure, and virtuous. The higher celebrities rise, the harder they fall. There is something gratifying in hubris defied and punished.
Q. Do you believe the audience put themselves in the place of the reporter (when he asks something embarrassing to a celebrity) and become in some way revenged?
A. The reporter "represents" the "bloodthirsty" public. Belittling celebrities or watching their comeuppance is the modern equivalent of the gladiator rink. Gossip used to fulfil the same function and now the mass media broadcast live the slaughtering of fallen gods. There is no question of revenge here - just Schadenfreude, the guilty joy of witnessing your superiors penalized and "cut down to size".
Q. In your country, who are the celebrities people love to hate?
A. Israelis like to watch politicians and wealthy businessmen reduced, demeaned, and slighted. In Macedonia, where I live, all famous people, regardless of their vocation, are subject to intense, proactive, and destructive envy. This love-hate relationship with their idols, this ambivalence, is attributed by psychodynamic theories of personal development to the child's emotions towards his parents. Indeed, we transfer and displace many negative emotions we harbor onto celebrities.
Q. I would never dare asking some questions the reporters from Panico ask the celebrities. What are the characteristics of people like these reporters?
A. Sadistic, ambitious, narcissistic, lacking empathy, self-righteous, pathologically and destructively envious, with a fluctuating sense of self-worth (possibly an inferiority complex).
6. Do you believe the actors and reporters want themselves to be as famous as the celebrities they tease? Because I think this is almost happening...
A. The line is very thin. Newsmakers and newsmen and women are celebrities merely because they are public figures and regardless of their true accomplishments. A celebrity is famous for being famous. Of course, such journalists will likely to fall prey to up and coming colleagues in an endless and self-perpetuating food chain...
7. I think that the fan-celebrity relationship gratifies both sides. What are the advantages the fans get and what are the advantages the celebrities get?
A. There is an implicit contract between a celebrity and his fans. The celebrity is obliged to "act the part", to fulfil the expectations of his admirers, not to deviate from the roles that they impose and he or she accepts. In return the fans shower the celebrity with adulation. They idolize him or her and make him or her feel omnipotent, immortal, "larger than life", omniscient, superior, and sui generis (unique).
What are the fans getting for their trouble?
Above all, the ability to vicariously share the celebrity's fabulous (and, usually, partly confabulated) existence. The celebrity becomes their "representative" in fantasyland, their extension and proxy, the reification and embodiment of their deepest desires and most secret and guilty dreams. Many celebrities are also role models or father/mother figures. Celebrities are proof that there is more to life than drab and routine. That beautiful - nay, perfect - people do exist and that they do lead charmed lives. There's hope yet - this is the celebrity's message to his fans.
The celebrity's inevitable downfall and corruption is the modern-day equivalent of the medieval morality play. This trajectory - from rags to riches and fame and back to rags or worse - proves that order and justice do prevail, that hubris invariably gets punished, and that the celebrity is no better, neither is he superior, to his fans.
8. Why are celebrities narcissists? How is this disorder born?
No one knows if pathological narcissism is the outcome of inherited traits, the sad result of abusive and traumatizing upbringing, or the confluence of both. Often, in the same family, with the same set of parents and an identical emotional environment - some siblings grow to be malignant narcissists, while others are perfectly "normal". Surely, this indicates a genetic predisposition of some people to develop narcissism.
It would seem reasonable to assume - though, at this stage, there is not a shred of proof - that the narcissist is born with a propensity to develop narcissistic defenses. These are triggered by abuse or trauma during the formative years in infancy or during early adolescence. By "abuse" I am referring to a spectrum of behaviors which objectify the child and treat it as an extension of the caregiver (parent) or as a mere instrument of gratification. Dotting and smothering are as abusive as beating and starving. And abuse can be dished out by peers as well as by parents, or by adult role models.
Not all celebrities are narcissists. Still, some of them surely are.
We all search for positive cues from people around us. These cues reinforce in us certain behaviour patterns. There is nothing special in the fact that the narcissist-celebrity does the same. However there are two major differences between the narcissistic and the normal personality.
The first is quantitative. The normal person is likely to welcome a moderate amount of attention – verbal and non-verbal – in the form of affirmation, approval, or admiration. Too much attention, though, is perceived as onerous and is avoided. Destructive and negative criticism is avoided altogether.
The narcissist, in contrast, is the mental equivalent of an alcoholic. He is insatiable. He directs his whole behaviour, in fact his life, to obtain these pleasurable titbits of attention. He embeds them in a coherent, completely biased, picture of himself. He uses them to regulates his labile (fluctuating) sense of self-worth and self-esteem.
To elicit constant interest, the narcissist projects on to others a confabulated, fictitious version of himself, known as the False Self. The False Self is everything the narcissist is not: omniscient, omnipotent, charming, intelligent, rich, or well-connected.
The narcissist then proceeds to harvest reactions to this projected image from family members, friends, co-workers, neighbours, business partners and from colleagues. If these – the adulation, admiration, attention, fear, respect, applause, affirmation – are not forthcoming, the narcissist demands them, or extorts them. Money, compliments, a favourable critique, an appearance in the media, a sexual conquest are all converted into the same currency in the narcissist's mind, into "narcissistic supply".
So, the narcissist is not really interested in publicity per se or in being famous. Truly he is concerned with the REACTIONS to his fame: how people watch him, notice him, talk about him, debate his actions. It "proves" to him that he exists.
The narcissist goes around "hunting and collecting" the way the expressions on people's faces change when they notice him. He places himself at the centre of attention, or even as a figure of controversy. He constantly and recurrently pesters those nearest and dearest to him in a bid to reassure himself that he is not losing his fame, his magic touch, the attention of his social milieu.
Question:
Are Narcissists addicted to being famous?
Answer:
You bet. This, by far, is their predominant drive. Being famous encompasses a few important functions: it endows the narcissist with power, provides him with a constant Source of Narcissistic Supply (admiration, adoration, approval, awe), and fulfils important Ego functions.
The image that the narcissist projects is hurled back at him, reflected by those exposed to his celebrity or fame. This way he feels alive, his very existence is affirmed and he acquires a sensation of clear boundaries (where the narcissist ends and the world begins).
There is a set of narcissistic behaviours typical to the pursuit of celebrity. There is almost nothing that the narcissist refrains from doing, almost no borders that he hesitates to cross to achieve renown. To him, there is no such thing as "bad publicity" – what matters is to be in the public eye.
Because the narcissist equally enjoys all types of attention and likes as much to be feared as to be loved, for instance – he doesn't mind if what is published about him is wrong ("as long as they spell my name correctly"). The narcissist's only bad emotional stretches are during periods of lack of attention, publicity, or exposure.
The narcissist then feels empty, hollowed out, negligible, humiliated, wrathful, discriminated against, deprived, neglected, treated unjustly and so on. At first, he tries to obtain attention from ever narrowing groups of reference ("supply scale down"). But the feeling that he is compromising gnaws at his anyhow fragile self-esteem.
Sooner or later, the spring bursts. The narcissist plots, contrives, plans, conspires, thinks, analyses, synthesises and does whatever else is necessary to regain the lost exposure in the public eye. The more he fails to secure the attention of the target group (always the largest) – the more daring, eccentric and outlandish he becomes. Firm decision to become known is transformed into resolute action and then to a panicky pattern of attention seeking behaviours.
The narcissist is not really interested in publicity per se. Narcissists are misleading. The narcissist appears to love himself – and, really, he abhors himself. Similarly, he appears to be interested in becoming a celebrity – and, in reality, he is concerned with the REACTIONS to his fame: people watch him, notice him, talk about him, debate his actions – therefore he exists.
The narcissist goes around "hunting and collecting" the way the expressions on people's faces change when they notice him. He places himself at the centre of attention, or even as a figure of controversy. He constantly and recurrently pesters those nearest and dearest to him in a bid to reassure himself that he is not losing his fame, his magic touch, the attention of his social milieu.
Truly, the narcissist is not choosy. If he can become famous as a writer – he writes, if as a businessman – he conducts business. He switches from one field to the other with ease and without remorse because in all of them he is present without conviction, bar the conviction that he must (and deserves to) get famous.
He grades activities, hobbies and people not according to the pleasure that they give him – but according to their utility: can they or can't they make him known and, if so, to what extent. The narcissist is one-track minded (not to say obsessive). His is a world of black (being unknown and deprived of attention) and white (being famous and celebrated).
--------------------------------------------------------------------------------
Mistreating Celebrities - An Interview
Granted to Superinteressante Magazine in Brazil
Q. Fame and TV shows about celebrities usually have a huge audience. This is understandable: people like to see other successful people. But why people like to see celebrities being humiliated?
A. As far as their fans are concerned, celebrities fulfil two emotional functions: they provide a mythical narrative (a story that the fan can follow and identify with) and they function as blank screens onto which the fans project their dreams, hopes, fears, plans, values, and desires (wish fulfilment). The slightest deviation from these prescribed roles provokes enormous rage and makes us want to punish (humiliate) the "deviant" celebrities.
But why?
When the human foibles, vulnerabilities, and frailties of a celebrity are revealed, the fan feels humiliated, "cheated", hopeless, and "empty". To reassert his self-worth, the fan must establish his or her moral superiority over the erring and "sinful" celebrity. The fan must "teach the celebrity a lesson" and show the celebrity "who's boss". It is a primitive defense mechanism - narcissistic grandiosity. It puts the fan on equal footing with the exposed and "naked" celebrity.
Q. This taste for watching a person being humiliated has something to do with the attraction to catastrophes and tragedies?
A. There is always a sadistic pleasure and a morbid fascination in vicarious suffering. Being spared the pains and tribulations others go through makes the observer feel "chosen", secure, and virtuous. The higher celebrities rise, the harder they fall. There is something gratifying in hubris defied and punished.
Q. Do you believe the audience put themselves in the place of the reporter (when he asks something embarrassing to a celebrity) and become in some way revenged?
A. The reporter "represents" the "bloodthirsty" public. Belittling celebrities or watching their comeuppance is the modern equivalent of the gladiator rink. Gossip used to fulfil the same function and now the mass media broadcast live the slaughtering of fallen gods. There is no question of revenge here - just Schadenfreude, the guilty joy of witnessing your superiors penalized and "cut down to size".
Q. In your country, who are the celebrities people love to hate?
A. Israelis like to watch politicians and wealthy businessmen reduced, demeaned, and slighted. In Macedonia, where I live, all famous people, regardless of their vocation, are subject to intense, proactive, and destructive envy. This love-hate relationship with their idols, this ambivalence, is attributed by psychodynamic theories of personal development to the child's emotions towards his parents. Indeed, we transfer and displace many negative emotions we harbor onto celebrities.
Q. I would never dare asking some questions the reporters from Panico ask the celebrities. What are the characteristics of people like these reporters?
A. Sadistic, ambitious, narcissistic, lacking empathy, self-righteous, pathologically and destructively envious, with a fluctuating sense of self-worth (possibly an inferiority complex).
6. Do you believe the actors and reporters want themselves to be as famous as the celebrities they tease? Because I think this is almost happening...
A. The line is very thin. Newsmakers and newsmen and women are celebrities merely because they are public figures and regardless of their true accomplishments. A celebrity is famous for being famous. Of course, such journalists will likely to fall prey to up and coming colleagues in an endless and self-perpetuating food chain...
7. I think that the fan-celebrity relationship gratifies both sides. What are the advantages the fans get and what are the advantages the celebrities get?
A. There is an implicit contract between a celebrity and his fans. The celebrity is obliged to "act the part", to fulfil the expectations of his admirers, not to deviate from the roles that they impose and he or she accepts. In return the fans shower the celebrity with adulation. They idolize him or her and make him or her feel omnipotent, immortal, "larger than life", omniscient, superior, and sui generis (unique).
What are the fans getting for their trouble?
Above all, the ability to vicariously share the celebrity's fabulous (and, usually, partly confabulated) existence. The celebrity becomes their "representative" in fantasyland, their extension and proxy, the reification and embodiment of their deepest desires and most secret and guilty dreams. Many celebrities are also role models or father/mother figures. Celebrities are proof that there is more to life than drab and routine. That beautiful - nay, perfect - people do exist and that they do lead charmed lives. There's hope yet - this is the celebrity's message to his fans.
The celebrity's inevitable downfall and corruption is the modern-day equivalent of the medieval morality play. This trajectory - from rags to riches and fame and back to rags or worse - proves that order and justice do prevail, that hubris invariably gets punished, and that the celebrity is no better, neither is he superior, to his fans.
8. Why are celebrities narcissists? How is this disorder born?
No one knows if pathological narcissism is the outcome of inherited traits, the sad result of abusive and traumatizing upbringing, or the confluence of both. Often, in the same family, with the same set of parents and an identical emotional environment - some siblings grow to be malignant narcissists, while others are perfectly "normal". Surely, this indicates a genetic predisposition of some people to develop narcissism.
It would seem reasonable to assume - though, at this stage, there is not a shred of proof - that the narcissist is born with a propensity to develop narcissistic defenses. These are triggered by abuse or trauma during the formative years in infancy or during early adolescence. By "abuse" I am referring to a spectrum of behaviors which objectify the child and treat it as an extension of the caregiver (parent) or as a mere instrument of gratification. Dotting and smothering are as abusive as beating and starving. And abuse can be dished out by peers as well as by parents, or by adult role models.
Not all celebrities are narcissists. Still, some of them surely are.
We all search for positive cues from people around us. These cues reinforce in us certain behaviour patterns. There is nothing special in the fact that the narcissist-celebrity does the same. However there are two major differences between the narcissistic and the normal personality.
The first is quantitative. The normal person is likely to welcome a moderate amount of attention – verbal and non-verbal – in the form of affirmation, approval, or admiration. Too much attention, though, is perceived as onerous and is avoided. Destructive and negative criticism is avoided altogether.
The narcissist, in contrast, is the mental equivalent of an alcoholic. He is insatiable. He directs his whole behaviour, in fact his life, to obtain these pleasurable titbits of attention. He embeds them in a coherent, completely biased, picture of himself. He uses them to regulates his labile (fluctuating) sense of self-worth and self-esteem.
To elicit constant interest, the narcissist projects on to others a confabulated, fictitious version of himself, known as the False Self. The False Self is everything the narcissist is not: omniscient, omnipotent, charming, intelligent, rich, or well-connected.
The narcissist then proceeds to harvest reactions to this projected image from family members, friends, co-workers, neighbours, business partners and from colleagues. If these – the adulation, admiration, attention, fear, respect, applause, affirmation – are not forthcoming, the narcissist demands them, or extorts them. Money, compliments, a favourable critique, an appearance in the media, a sexual conquest are all converted into the same currency in the narcissist's mind, into "narcissistic supply".
So, the narcissist is not really interested in publicity per se or in being famous. Truly he is concerned with the REACTIONS to his fame: how people watch him, notice him, talk about him, debate his actions. It "proves" to him that he exists.
The narcissist goes around "hunting and collecting" the way the expressions on people's faces change when they notice him. He places himself at the centre of attention, or even as a figure of controversy. He constantly and recurrently pesters those nearest and dearest to him in a bid to reassure himself that he is not losing his fame, his magic touch, the attention of his social milieu.
Sunday, 12 June 2011
2 Secrets To A Better Future
The Motivating Lives newsletter will guide you to a more fulfilling and prosperous life.
Stop for just a second, take a look around you and ask yourself if this is the quality of life you were hoping for. If you answered “No”, then my question to you is “why not?” “What are you doing to change your life?” Most people who have been asked what they’ve done to change their lives say “it’s no use because…..” and so it goes…. excuses.
But it doesn’t have to be that way. The first step in getting out of the rut is to stop making excuses and assume responsibility for the quality of your life. You can change your life situation today. How do I know? I know because others have done it. There will always be obstacles, but none that can’t be overcome. The only requirement is the desire to change. Mark Twain once said “It's not the size of the dog in the fight; it's the size of the fight in the dog.” If your “want to” is strong enough, you can achieve almost anything you set your mind to.
The second step to getting out of the rut is step out in faith and, as the Nike commercial says, “Just do it”. There is no time like the present to change course. You might not succeed the first time, but you must keep trying. Success will come with persistence. Remember the old saying “Today is the first day of the rest of your life.” Don’t worry about making a mistake. Albert Einstein once said “Anyone who has never made a mistake has never tried anything new.”
So step out. Take a chance, and as William Durant, the founder of General Motors said “Forget past mistakes. Forget failures. Forget everything except what you're going to do now and do it.”
Stop for just a second, take a look around you and ask yourself if this is the quality of life you were hoping for. If you answered “No”, then my question to you is “why not?” “What are you doing to change your life?” Most people who have been asked what they’ve done to change their lives say “it’s no use because…..” and so it goes…. excuses.
But it doesn’t have to be that way. The first step in getting out of the rut is to stop making excuses and assume responsibility for the quality of your life. You can change your life situation today. How do I know? I know because others have done it. There will always be obstacles, but none that can’t be overcome. The only requirement is the desire to change. Mark Twain once said “It's not the size of the dog in the fight; it's the size of the fight in the dog.” If your “want to” is strong enough, you can achieve almost anything you set your mind to.
The second step to getting out of the rut is step out in faith and, as the Nike commercial says, “Just do it”. There is no time like the present to change course. You might not succeed the first time, but you must keep trying. Success will come with persistence. Remember the old saying “Today is the first day of the rest of your life.” Don’t worry about making a mistake. Albert Einstein once said “Anyone who has never made a mistake has never tried anything new.”
So step out. Take a chance, and as William Durant, the founder of General Motors said “Forget past mistakes. Forget failures. Forget everything except what you're going to do now and do it.”
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